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Inspiration of the Future Tense 

* Sözcü newspaper’s special issue for Press Freedom

** Cumhuriyet newspaper left the journalists columns blank after their arrest. 

Cumhuriyet journalists' columns left empty after their arrest

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Bedri Rahmi Eyüboğlu, painter, writer and poet, was born in Görele on the Black Sea in 1911. He graduated from the Academy of Fine Arts in Istanbul in 1936, but also studied in France. In 1937 he entered the Academy as the assistant and translator of Leopold Levy, he remained at the Academy until his death in 1975. Bedri Rahmi was a very prolific artist, he painted frescoes at the Lido restaurant in Istanbul 1943, a large panel at the Ankara Opera House (1946). He worked with mosaics and prepared a panel of 250 square meters for the Brussels Fair in 1958 which brought him the first prize award. His mosaic panels are in many places in Europe and his work can be found in various museums in the USA, Europe and Turkey. He is known to have been an excellent teacher and many of Turkey’s contemporary artists have praised him.

This over 100 m long mosaic wall was created by the artist for the World Fair in Brussels in 1958 for the Turkish Pavilion. But now, how come that fragments of this wall were discovered in Cyprus? What Dr. Johann Pillai and Anber Onar have to tell sounds like a detective story. The Turkish Ambassador approached Sidestreets to tell that panels of this mosaic wall have been in the Embassy for many years since the 60s and he would like to see the art work moved to a place where it can be displayed for the public to see. When Johann Pillai, Anber Onar and Emin Cizenel started their research from here they discovered more and more fragments with the Turkish military, in the offers’ club in Ortaköy, in the Villa Firtina as parts of wall or floor decoration, pieces broken apart and used for tables. The journey of discovery took them to Brussels, London and Istanbul and all over Cyprus. A beautiful work in English and Turkish “The Lost Mosaic Wall – From Expo 58 to Cyprus” by Johann Pillai about its past and its sad journey of destruction and partly recovery in Cyprus. Anber Onar and Emin Cizenel did the curating part and what we see today as exhibition in Sidestreets Nicosia is many months of hard detailed work.





Plant liberation is human liberation!

Every year tons of plants are being locked up at supermarkets, growing under neon lights. Chemicals are used to extend their shelf life. We must liberate these plants and return them where they belong to—soil with sunlight.


Poster created in collaboration with Burcu Tokatlı for the exhibition 298 111 conducted by the Muzeum Śląskie & OFF Festival between 2018 and 2020 in Katowice. 



Handmade sunglass, acrylic frame and obsidian, a naturally occurring volcanic glass formed as an extrusive igneous rock, 2016.




A must-see!



My first etching: MU, 2017.  



Painters and their models #msgü

A post shared by Asli Cavusoglu (@aslinda) on




The Tuaregs have been called the “blue people” for the indigo-dye colored clothes they traditionally wear and which stains their skin.  





G-20 Summit or learning from cats